“A memoir is a lesson in humility… The Great Depression dominated the earliest world that i recall…My survival was continually threatened, but my dreams ran free and seeded my future.

…When I turned thirty-five, I questioned my life. Had I, in my dreams of leaving my mark on science, really ‘missed the boat.’ I am keenly aware that this fear led me to reinvent myself surprisingly late in life, when I did my best-known work…

But events proceeded differently, I was expelled to resume my wandering intellectual life…

What has attracted me to problems that science either had never touched or long left aside-continually making me feel like a fossil? perhaps a deficit in regular formal education. My adolescence during wartime occupation of France was illuminated by obsolete books, ancient problems long abandoned without solution, and timeless interrogations. The form of geometry I increasingly favored is the oldest, most concrete, and most inclusive, specifically empowered by the eye and helped by the hand and, today, also by the computer.”

excerpts from: The Fractalist, A Memoir of a Scientific Maverick by Benoit Mandelbroit.

Hokusai’s Great Wave, some of Kandinsky’s paintings, and Claude Lorrain’s landscapes are examples of fractals. Some music composers use the concept of fractals in their compositions  wrote Mandelbrot.

I finished reading The Fractalist today (307 pages) today.

“Bottomless wonders spring from simple rules…repeated without end.”-Benoit Mandelbrot

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